Height
in centimeters- 165 cm in meters- 1.65 m in feet & inches- 5’ 5”
Age
42
Nation
Pakistani-Canadian Note: She has acquired a Canadian citizen in 2010


After September 11th I realized that people in the West really had no concept about life in Pakistan or in Afghanistan. I wanted people to see beyond the rhetoric of war, so I wrote a story for a newspaper I was freelancing for about Afghan refugee children. But I felt that the story needed to be told visually, that it would be far more compelling to an American audience if it were. That is why I decided to make a documentary film on the children in refugee camps in Pakistan. I wanted to transport the viewers to Pakistan; I wanted them to feel the pain that young Afghan children were feeling by taking them on a journey inside the refugee camps. In Terror’s Children, my aim was to address issues relating to the psychological impact of war, on education, and the poverty and day to day survival of these children.”
The obstacles faced by documentary filmmakers in Pakistan have more to do with access to funding as compared to gender bias or any other forms of prejudice. We do not have a history of documentary films in Pakistan, thus TV channels and production houses are not forthcoming with investments. Pakistani’s have always displayed an interest in such content, and we have a multitude of stories to tell with a community that is eager to share them.”
She further added,
While we did not encounter any physical danger whilst shooting Saving Face, we did have to struggle with the mindset of local communities. During the first few days of shooting we faced difficulty when trying to connect with communities and reaching out to survivors. However once we settled into the towns and began making connections we did not face any further obstacles.”


I had wanted to do something for the children for a long time. Pakistan has a very young population and a booming media industry, but we have stopped producing quality content for children. All of our content is imported, from animation to a variety of shows, and thus our youth grows up with mentors and heroes that are far removed from what they see around them in life.”
It is a positive story about Pakistan on two accounts: firstly, it portrays how a Pakistani-British doctor comes to treat them and it also discusses, in great depth, the parliament’s decision to pass a bill on acid violence. The film assisted in the trial and conviction of one of the perpetrators of acid violence.”
She further added,
I think that “SF” combats the linear terms in which Pakistan is projected by addressing this very paradox. As a film, it achieves two things; first, it addresses a growing issue that is in dire need of awareness and collective action and second, it presents a nuanced image of Pakistan, one in which a heinous act is being addressed by a number of extraordinary people. It shows that Pakistan is not simply a nation in flux; it is nation that is in the process of fixing its own problems.”
The Oscar has reinforced my intent to present stories that highlight narratives that are not present in the mainstream media; my content and the topics I choose will continue to centre around civil and human rights. It’s possible to present a positive image of Pakistan whilst still maintaining one journalistic ethics, and “SF” intends to do exactly that.”


It is a great honour to be the first artist ever to be given the opportunity to co-chair the prestigious World Economic Forum at Davos in 2017. I have always believed that the true mark of any thriving society is the amount of investment made in its cultural and artistic infrastructure. There is, now, increasing recognition of the fact that business and economics must go hand-in-hand with culture and arts for society to move forward and it is with great pride that I will be representing both the art community and my country, Pakistan!”
https://youtu.be/rZ_aGzha0DA
My advice to young directors would be to pay no heed to naysayers; don’t wait for an opportunity to open up, instead be proactive. Use whatever resources are available to you and continue to practice and persevere. Whether it is using your cell phone instead of a fancy camera, or submitting a short film to a local festival, do the best with what you have. Spend time learning and perfecting your craft, and don’t let your ego get the best of you.”
For me, feminism is the feeling of being safe; in your skin, in your house, in the office and on the streets. Feminism is the pursuit of these conditions and all of the struggles that you have to go through in order to ensure that they are available to yourself and other women. Personally, I look up to Mukhtaran Bibi, an enigmatic Pakistani women’s rights activist. I have had the privilege of meeting with her and continue to be inspired by her story and unwavering determination to seek justice.
As a journalist, I have been very lucky to have had the opportunity to report from a variety of countries. Each film came with its own set of challenges, with some countries proving to be more difficult than others. My experiences while shooting the underground women’s movement in Saudi Arabia were particularly interesting. We were always being watched, we’re unable to move about freely and were often unable to do the simplest of things on our own; at one point we were unable to check into a hotel because we were not escorted by a male representative. My all-female crew and I soon realised that our film was equally documenting our own struggles while shooting, as it was exploring the women’s movement.”
Recent news and updates about Sharmeen Obaid Chinoy will appear here.
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