Home chevron_right Classical Dancer, Choreographer chevron_right Kanak Rele

Kanak Rele

movie Classical dancer, Choreographer cake 11 June 1937 (Friday) (Gujarat, British India)
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Age

85

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Nation

• British Indian (1937-1947) • Indian (1947-2023)

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Basic Information

Date of Birth: 11 June 1937 (Friday)
Birthplace: Gujarat, British India
Zodiac Sign: Gemini
Nationality: • British Indian (1937-1947) • Indian (1947-2023)

Family & Relationships

Marital Status: Married
Spouse: Yatindra Rele
Children: Son- 1 • Rahul Rele Daughter- None

Education

Schools: Kanak Rele was an Indian classical dancer, academician, and choreographer. She is known for developing and promoting Mohiniyattam, a traditional dance form from Kerala. She has received many awards and honours for her contributions to the field of dance. She died on 22 February 2023, aged 85, in Mumbai
Colleges: Government Law College, Mumbai Manchester University, United Kingdom University of Mumbai
Education: LLB from Government Law College, Mumbai Masters in International Law with a civil aviation major from Manchester University PhD in dance from the University of Mumbai Deccan Herald

Lifestyle

Religion: Hinduism

person_book Biography

Some Lesser Known Facts About Kanak Rele

  • Kanak Rele was an Indian classical dancer, academician, and choreographer. She is known for developing and promoting Mohiniyattam, a traditional dance form from Kerala. She has received many awards and honours for her contributions to the field of dance. She died on 22 February 2023, aged 85, in Mumbai.
  • She was merely 10 months old when she lost her father. At the age of 5, Kanak moved to Shantiniketan in West Bengal with her mother and uncle. There, she learned music and dance and attended Patha Bhavan, an independent school, where classes were held under a tree.

    A childhood picture of Kanak Rele
    A childhood picture of Kanak Rele
  • At the age of 10, Rele was diagnosed with polio, but she recovered by practising dance regularly.
  • While growing up in Shantiniketan, Kanak Rele would often see Rabindranath Tagore, but she never interacted with him.
  • In an interview, Kanak Rele, while recounting her childhood spent in Shantiniketan, said that she used to play with Haripado da, who used to take care of her and her family. Rele added that whenever she ran away from home to collect palas flowers, Haripado da would chase after her. After spending a few years of her childhood in Shantiniketan, Rele moved back to Bombay (now Mumbai). While talking about this in an interview, Kanak Rele said,

    There was a person who took care of me from my family, his name was Haripado da. Haripado da used to run behind me when I used to run away from the house to collect palas flower. After that when I finished with my flower collection we used to come back home. We stayed for very few years in Shantiniketan and from there we had to come back to Bombay, but the memories of Shantiniketan are visually sketched like a painting in my mine.”

  • She learnt various Indian classical dance forms including Bharatanatyam and Kathakali. She learned Bharatanatyam from her guru Nanna Kasar and guru Kittapa Pillai.
  • In an interview, she said that since her family wanted her to become a doctor, she enrolled at a medical college; however, she left it later as she was unable to practise dance due to her studies. She further mentioned that JRD Tata had once offered her a well-paid job in his airline company; however, she refused the offer to continue working as a dancer.
  • Rele was first introduced to Mohiniyattam by her Kathakali guru, Panchali Karunakaran Panicker, who asked her not to participate in sports as he felt that the pure classicism in her would be ruined. [4]DNA Since she had a strong foundation in Kathakali, adapting to Mohiniyattam was easy for her.

    Kanak Rele as a Kathakali performer in 1970
    Kanak Rele as a Kathakali performer in 1970
  • In 1967, she established Nalanda Dance Academy, now known as Nalanda Dance Research Centre, in Bombay (now Mumbai).
  • In 1972, she set the foundation of Nalanda Nritya Kala Mahavidyalaya, which was the first college for dancing affiliated with a premier university, the Mumbai University, in India. The documentary “Nritya Bharati”, which showcases the seven Indian classical dances and was produced by Nalanda Nritya Kala Mahavidyalaya, has been acquired by the Ministry of External Affairs as the official capsule for all Indian missions abroad. The other choreographic piece produced by the institute includes ‘The Enlightened One — Gautama Buddha,’ which premiered in 2011; it was based on the 2008 Mumbai attacks.
  • In an interview, Kanak Rele shared some of her unforgettable performances. She recalled receiving appreciation from Rukmini Devi, an Indian theosophist, dancer, and choreographer of the Bharatanatyam dance form, after performing at the December festival in Chennai, Tamil Nadu. Additionally, after a performance at the Kamani Auditorium in New Delhi, Indira Gandhi approached her backstage and asked if she was from South India. When Rele replied with a ‘no,’ Indira Gandhi smiled and said ‘Keep it up.’”
  • In 1977, she earned a PhD in dance, making her the first in India to do so; however, she faced criticism from a group of individuals, claiming it to be a fake degree. Kanak Rele’s doctoral thesis was titled ‘Mohini Attam: All aspects and Spheres of Influence.’
  • In an interview, Kanak talked about experimenting with different genres, whether it be dance or any artwork, and said that she once combined Bharatanatyam and Mohiniyattam to portray ‘Kalyani,’ a character from Rabindranath Tagore’s story ‘Aparichita,’ at Kamani Auditorium in Delhi. Although the performance was well-received by some, it attracted controversy due to some reasons.
  • Although she has extensively discussed the ‘prayoga,’ a combination of dance, vocal music, and instrumental music, of the Mohiniyattam dance form in the first edition of her book ‘Mohini Attam – The Lyrical Dance’ (1992). In 2013, she published the revised edition of her book ‘Mohini Attam – The Lyrical Dance’ and wrote about ‘sastra,’ a Mohiniyattam dance form.
  • In 1996, she wrote a book about Mohiniyattam, an Indian classical dance form, titled ‘Bhaava Niroopanna.’
  • On 7 May 2022, she published her biography titled ‘Me & My Mohini Attam.’

    Kanak Rele (extreme right), along with Hema Malini (left) and daughter-in-law Uma Rele (centre), at her book signing event in May 2022
    Kanak Rele (extreme right), along with Hema Malini (left) and daughter-in-law Uma Rele (centre), at her book signing event in May 2022
  • Rele became well-known for her modernization of mythological stories in her performances and her depiction of powerful female characters, which was a significant deviation from the conventional Mohiniyattam theme of the nayika longing for love.
  • Some of her major works and choreographies include Kubja, Kalyani, Silappadikaaram, and Swapnavasavadattam.
  • Through her association with the Malayalam poet and scholar Kavalam Narayana Panicker, Rele was introduced to Sopana Sangeetham, a form of Indian classical music that developed in the temples of Kerala, which inspired her to create choreographic pieces for the same. Kavalam’s compositions inspired several of Rele’s choreographies that highlight the societal trauma experienced by women, drawing from women characters in mythology.
  • She was associated with many organisations including the University of Mumbai (dean of faculty of fine arts and member of executive council), Prince of Wales Museum (trustee), University Grants Commission (U. G. C.) (member of the panel of experts in fine arts), Indian Council for Cultural Relations (I. C. C. R.) (member of experts committee), and the Government of India (advisor of dance in the planning commission).
  • She once received an invitation from the world-renowned Kerala Kalamandalam in June to deliver lecture-cum-demonstrations on the classical dance form of abhinaya and its suitability for Mohini Attam.
  • Rele once received a challenge to choreograph an old padam (a slow form of dancing) called ‘Taaraaviraham’ that she had never heard before, with only 30 minutes to study it. Surprisingly, she successfully created an abhinaya (performance) piece that showcased different emotions with rare skill and deep understanding, which earned her a standing ovation.

  • Kanak Rele died of cardiac arrest on 22 February 2023 in a private hospital in Mumbai.

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