Height
in centimeters- 175 cm in meters- 1.75 m in feet & inches- 5’ 9”
Age
59
Nation
Indian


Every Sunday, Doordarshan used to telecast movies at 6 pm. I have seen so many films of Rajesh Khanna, Dilip Kumar and Amitabh Bachchan. Though I did not have the sense of acting then, I still believed that was something I could do. Every actor begins by copying others. I used to copy Rajesh Khanna. That was a part of the initial learning process.”
I was a hero in college as I was doing a lot many plays and bringing back medals and awards. Noticing my talent a director forced me to do an English play. I had only a five-line dialogue in this play but I was very bad even with this. It so happened that I was to sit on one end of the stage and wait for my cue to say those five lines. And I fell asleep on stage. As a result, I missed my lines and gave the wrong cue to my co-actor who got so confused that we messed it up totally.”
It was my misfortune that though I had rehearsed for this role I ended up playing one of the horses in the play. I couldn’t argue as I was a struggler and my financial condition was very bad so I continued playing the horse. I was required to wear 1.5-kilo heavy iron cast legs of the horse and a mask weighing 500 gms throughout the play. This was how I started my stint in commercial theatre.”
I first faced the camera in 1991 at Filmistan Studios. Back then there wasn’t much work for actors. Cinema and Doordarshan were the only two mediums. I was a struggling actor, who also assisted TV director-cameraman Gyan Sahay in a DD show called Lene Ke Dene….Once a role came up and I gathered strength to approach Gyan Sahay. There was no trend of audition then. That was the time when a director had belief and confidence in the actor. Sahay ji knew I was into acting too. That’s how I got selected. I couldn’t sleep one night before and after the shoot. I remember when this episode was to be telecast, I called everyone in my village to watch it. It came at 8 am. It was a different kind of happiness of coming on the screen.”
I got my first break in cinema in Ashutosh Gowarikar’s film ‘Pehla Nasha’. Ashutosh Gowarikar and we often used to meet at Ravi Vaswani’s house. He gave me a small role in the film ‘Pehla Nasha’ so I was very happy that I had a scene with Paresh Rawal. But when I went to watch the film in the theater after its release, I saw that all my scenes had been cut. Even in the scene with Paresh Rawal, only my dialogue could be heard. I felt very sad.”
I thought who would interrupt Aamir Khan? I was very happy in those days that my struggle was over. But, in the film industry, nothing is decided until the film is released. Same thing happened with me also. Even after everything was finalized, I did not get that role.”

The plan was that Aamir and I will dance. I even rehearsed with choreographer Ganesh Hegde for 4-5 days. But both of us banged our heads. I did try, but I noticed in the rehearsals that I was pathetic. I just couldn’t manage it. Then I went to Aamir and Ashutosh with folded hands requested them to not make me dance. I knew 20 years down the line, people will make fun seeing me dance with Aamir. Just to save my respect, I slowly retracted.”
I used to meet Ashutosh Gowarikar continuously. In those days, preparations for the film ‘Lagaan’ were going on. When I asked for a role from Ashutosh Gowarikar, he said that there is no role in the film suitable for me. So I called Aamir Khan directly. I just said that if I don’t get work even in a film based on the backdrop of Uttar Pradesh, will I get work in Yash Chopra and Karan Johar’s films set in Switzerland? Aamir Khan laughed a lot after hearing this. Then one day his call came. I still remember that date. On December 26, 1999, I was eating food. Aamir called and said come to office tomorrow morning and meet Kiran (Rao).”


I knew you didn’t know how to ride a bike properly. But, now only you will do this scene..!”









Daya Shankar Pandey as Goli in the film Lagaan (2001)
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